“Right Before Your Very Eyes,” appearing soon at IGMS

Word has reached me that Intergalactic Medicine Show is taking "Right Before Your Very Eyes," my tale of magicians, demons, and things that aren’t quite what they seem.  Edmund tells me it should appear in either the August or October issue.

My first sale of 2010!  This puts me well ahead of last year’s pace, when I didn’t sell a story until October.

The writer is pleased.

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Progress Report, in which I contemplate the mysteries of the muse

Made notes on the second act of Wet Work last week, filling in more of the roadmap for the rewrite.  The going will be a little trickier than in the first act, but nothing I can’t handle (he said hubristically).  I’m beginning to feel like I can actually do this.  I might even be able to start the rewrite proper this week.  Clutch the pearls. 

Made a fun little discovery along the way.  I was wrangling with a plot problem ably pointed out by one of my beta readers (thanks, David!), and I found the solution in the last place I would think to look–right in front of me.  It just fit perfectly.  It’s one of those little things that others might assume I had planned all along, but which was in reality a happy accident.

Or was it?  (Cue eerie music . . . )

Such are the mysteries of the muse.  Comes with the territory.

Write Club updates:

A tier one bounce from an agent on a novel query, and tier one rejection from Clarkesworld.  Response time on the latter, three days.

Outta here . . .

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Progress Report, in which I attempt a chess metaphor

Spent last week making notes for the Wet Work rewrite.  I didn’t get as far as I would have liked–but since when is that news?

On the positive side, ideas are flowing now.  I have a firm grasp of what needs to be fixed in the first act.  Turn out that I had all the pieces in all the right places, but on a few occasions, they just didn’t make the right moves.  Not unlike setting up a masterful opening and middle game, then blowing the end game in chess.

Yeah, like I would know what a masterful opening and middle game looks like.  My brother would have a thing or two to say about that, I’m sure.

Anyway, it’s interesting to note that I ran into a similar situation with a particular plot thread in Petra Released.  In the rewrite, I didn’t change any of the players or locations, just what they said and did.  Hmmm . . . is a pattern developing?  I’ll let you know.

Now I turn my attention to my second act, which should pretty much square away the rest of the novel.  The third act is short, and doesn’t seem to need much help–that I know of.  Which isn’t saying much.  I mean, really–this from the guy who just attempted a lame chess metaphor.

No updates for Write Club.

I’m out.

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